The streaming platform will showcase seven Sachs films beginning October 1, ranging from the 1994 short Which Way Is East to her most recent work, including E•pis•to•lar•y: Letter to Jean Vigo, an exploration of the French director’s classic 1933 film Zero for Conduct (Zéro de Conduite).
On October 13, the Criterion Channel will exclusively stream her latest feature documentary, Film About a Father Who, which examines Sachs’ relationship with her unorthodox father, Ira Sachs Sr, whose children include Lynne and fellow filmmaker Ira Sachs Jr.
“Film About a Father Who is her attempt to understand the web that connects a child to her parent and a sister to her siblings,” the director has written. “With a nod to the Cubist renderings of a face, Sachs’ cinematic exploration of her father offers simultaneous, sometimes contradictory, views of one seemingly unknowable man who is publicly the uninhibited center of the frame yet privately ensconced in secrets. In the process, Sachs allows herself and her audience inside to see beyond the surface of the skin, the projected reality. As the startling facts mount, Sachs as a daughter discovers more about her father than she had ever hoped to reveal.”
Cinema Guild Acquires Lynne Sachs’ Slamdance Docu ‘Film About A Father Who’
Penelope Bartlett, director of programming at the Criterion Channel, commented, “The Criterion Channel is thrilled to present the exclusive streaming premiere of Lynne Sachs’ Film About a Father Who this October. This raw and deeply personal excavation of the filmmaker’s complex family history will be accompanied by a number of Sachs’ experimental shorts, many of which also focus on exploring familial dynamics and family histories.”
Sachs’ work was the subject of a career retrospective at the Museum of the Moving Image this year and at Sheffield Doc/Fest last year. Sachs has been the recipient of support from the Guggenheim Foundation, the New York Foundation for the Arts, the Rockefeller Foundation, and the Jerome Foundation.
“Since the 1980s, Lynne Sachs has created cinematic works that defy genre through the use of hybrid forms and cross-disciplinary collaboration, incorporating elements of the essay film, collage, performance, documentary and poetry,” according to the director’s website. “Her highly self-reflexive films explore the intricate relationship between personal observations and broader historical experiences. With each project, Lynne investigates the implicit connection between the body, the camera, and the materiality of film itself.”
The Criterion Channel programming will include a newly-recorded interview with Sachs discussing her work. Complete details on the Sachs’ documentaries coming to the platform:
Debuting on the Criterion Channel Oct. 13:
FILM ABOUT A FATHER WHO (2020)
Over a period of 35 years between 1984 and 2019, filmmaker Lynne Sachs shot 8 and 16mm film, videotape and digital images of her father, Ira Sachs Sr., a bon vivant and pioneering businessman from Park City, Utah. Film About a Father is her attempt to understand the web that connects a child to her parent and a sister to her siblings.
Debuting on the Criterion Channel Oct. 1:
E•PIS•TO•LAR•Y: LETTER TO JEAN VIGO (2021)
In a cinema letter to French director Jean Vigo, Lynne Sachs ponders the delicate resonances of his 1933 classic Zero for Conduct in which a group of school boys wages an anarchist rebellion against their authoritarian teachers.
MAYA AT 24 (2021)
Conscious of the strange simultaneous temporal landscape that only film can convey, we watch Maya in motion at each distinct age.
GIRL IS PRESENCE (2020)
During the 2020 global pandemic, filmmaker Lynne Sachs and her daughter Noa collaborated with Anne Lesley Selcer to create Girl is Presence. Against the uncertain and anxious pandemic atmosphere, inside domestic space, the ‘girl’ arranges and rearranges a collection of small and mysterious things.
THE WASHING SOCIETY (2018)
Collaborating together for the first time, filmmaker Lynne Sachs and playwright Lizzie Olesker observe the disappearing public space of the neighborhood laundromat and the continual, intimate labor that happens there. With a title inspired by the 1881 organization of African-American laundresses, The Washing Society investigates the intersection of history, underpaid work, immigration, and the sheer math of doing laundry.
WIND IN OUR HAIR (2010)
Inspired by the stories of Argentine writer Julio Cortázar, yet blended with the realities of contemporary Argentina, Wind in Our Hair is an experimental narrative about four girls discovering themselves through a fascination with the trains that pass by their house. A story of early-teen anticipation and disappointment, Wind in Our Hair is circumscribed by a period of profound Argentine political and social unrest.
THE LAST HAPPY DAY (2009)
During WWII, the US Army hired Sachs’ Hungarian cousin, Dr. Sandor Lenard, to reconstruct the bones of dead American soldiers. Sachs’ portrait of Lenard, who is best known for his translation of Winnie the Pooh into Latin, resonates as an anti-war meditation composed of letters, abstracted war imagery, home movies of children, and interviews.
WHICH WAY IS EAST (1994)
When two American sisters travel north from Ho Chi Minh City to Hanoi, conversations with Vietnamese strangers and friends reveal to them the flip side of a shared history. Lynne and Dana Sachs’ travel diary of their trip to Vietnam is a collection of tourism, city life, culture clash, and historic inquiry that’s put together with the warmth of a quilt.